Grab a calendar for just $24AUD / $16 USD!
(plus shipping: $7 Australia, $10 international)
Until the end of November
The new 2025 calendars have arrived!
The new 2025 calendars have arrived!
A4 size, high quality printing.
I personally have always loved collecting artist calendars - it’s a great way to acquire some high quality prints, and have your eye refreshed each month with new images.
It is also a way to show your support for our work, and something we both deeply appreciate!
We are both very please with how these ones came out!
Great for gifts or collect for yourself!
My next in-person Form, Gesture Anatomy Course (simplified anatomy course integrated with life drawing from the model) will be held at Shore Studios in early Feb 2026 - enrol here.
Painting the portrait with Jennifer Allnutt this weekend!
This weekend, my partner the brilliant painter Jennifer Allnutt will be teaching her methods as well as universal principles of painting the portrait at Bienarté in Brisbane.
Jenny won the highly competitive Lethbridge Gallery 20,000 Small Works competition earlier this year with her symbolic self portrait “A Pagan’s Prayer to the Muses”. This painting was also a finalist in the Beautiful Bizarre Magazine prize.
Jennifer Allnutt A Pagan’s Prayer to the Muses Oil on panel 30x23cm
Jenny has an exceptionally delicate and rich handling of oil paint that digital images simply cannot capture. But you can see in these pictures the subtle use of impasto as well as transparency, the equisite use of colour, and the clear love of the forms of the human face.
Jennifer Allnutt La Belle Oil on ACM panel 12.5 x 18 cm
It is often the case that a photo does not capture what it is like to see the painting, and that is very much the case here - layers and delicate corrections and intuitive developments go into making Jenny’s paintings exceptional, jewel like small works, dense with meaning and beauty.
Jennifer Allnutt Relique Oil on panel 25x25cm
Jenny will be discussing important points about the structure of the skull and face, colour and light and painting process. She is an insightful and gentle teacher too, and will be guiding students through a portrait painting to apply this knowledge.
There is still a couple of spots available for Jenny’s workshop so if you’re in Brisbane and free this weekend, come along
You can see more of her work and connect with Jenny on her Instagram:
Shaping Meaning: at the core of the plastic arts
When talking to artist friends I find we always end up talking about one thing: creative process. I think this is because the core of our work is a weaving together of competing elements, an arrangement of interelated and delicate but thorny qualities.
The work of the artist is to get to know those elements, and to develop intuition for orchestrating them such that meaning results. Each time is an arduous, non-linear sequence of problems solved.
“Sleepwaters” Oil on linen, 61x122cm
Like a director, we have to consider not only our protagonists, setting and props, and our implied narrative, but also our viewpoint and lighting. And then as painters and sculptors we must consider our handling of the media and design principles which captures so much of our own feelings about the subject.
What tools can we use to bring these various aspects into harmony?
Traditionally sketches from the model or imagination, model making, drawn or colour thumbnails help to clarify ideas and retain this clarity rather than being lost in the weeds of making the painting.
"Black Candle (Between Courage and Despair)" Graphite on paper, 60x42cm
This non-linear, rough to refined process can be a rather awkard puzzle to solve - but a satisfying one as the elements start to come together.
It can be surprising how useful inititial sketches can be during the development of paintings to keep things on track… or to discover solutions
Work in progress "Perspectives"
I have been gradually adding to a large, free resource available here that clarifies my ideas about composition.
The tools and principles apply to any subject matter you might wish to approach and help to clarify how different compositions do their work on us.
For those in Brisbane, I am delivering this content with a range of exercises to help artists clarify their own direction, and use some of the tried and proven tools and skills that I use myself.
Find out more and enrol here
https://square.link/u/iC5ZNNNo
Two places remaining!
Also for those in Brisbane, I will be doing an artist talk at my current landscape painting show at Lethbridge Gallery on Thursday the 3rd of October from 6pm. I’ll be discussing the work and my approach with gallery owner Brett Lethbridge and will be availble for questions.
I will also be doin some demonstrations of compositional process drawing live in the gallery. Get you ticket here: https://events.humanitix.com/artist-talk-with-scott-breton/tickets
My new show opens at Lethbridge Gallery on Friday!
My new collection of landscape paintings “Doors Through the Ordinary” opens this Friday the 20th September 2024 at 5:30-7pm.
136 Latrobe Terrace, Paddington, Queensland, Australia
You can register your attendance at the opening here
“Cloudform” Oil on Linen 120x120cm
See the full collection here:
https://www.lethbridgegallery.com/artist/scott--breton/primary
I have included a range of studies with the show which I think can provide an interesting insight into my process and thought.
The gallery has printed a lovely catalogue featuring the main work from this collection that you can pick up there.
“Sunset Moonrise” Oil on ACM 80x80cm
“Stormfront” Oil on Linen 120x120cm
“Two Saplings” Oil on ACM 60x60cm
“Rainlight” Oil on Linen” 90x140cm
There will be a ticketed artist talk on the 3rd of October from 6pm
https://events.humanitix.com/artist-talk-with-scott-breton
Show runs from the 20th September to the 15th of October 2024
I will be around the Gallery to chat on the 21st September and the 12th of October. Come and say hi.
A month until my next composition course starts!
The Fundamentals of Figurative Composition aims to give you two main benefits:
A range of skills and understanding related to designing, modelling and executing figurative paintings
A series of guided exercises that will help you narrow in on the approach most exciting to you - saving you time and allowing you to learn from masters more similar to your aims
This in-person course starts on the 5th of October 2024, held at the Petrie Terrace studios of the Royal Queensland Art Society
There are 5 core sessions over 5 saturdays, plus 2 extension sessions for additional studies and work from the artists model to let you apply what you have learned.
Each session has a morning of theory, excercises and/or scene building, while the afternoon is working from the model over a long pose suitable for a particular approach to figurative art.
Read more about the course and see videos on how to prepare here
Access the extensive notes and huge number of diagrams here for free (will become paywalled before too long…)
“Sleepwaters” 2024 Oil on linen. During the course I will go through the proces from start to finish for making my paintings. Sketches, studies, 3D software, painting process.
Suitable for beginner painters looking for a way forward or experienced artists wishing to clarify their process and solve particular problems.
New Mentoring Group for those in Australian timezones!
Due to several requests from fellow Australians, I am establishing a monthly mentorship group at 6-8pm AEST Thursday evening.
Our first session will be tomorrow evening the 15th August 2024!
This will run the same as the existing group with everyone having the chance to go through what they have been doing for the month, then getting technical feedback and paintovers if desired.
The aim is to help you gain clarity have some support from myself and the group as you wrestle with the difficulties of pursuing artwork.
If this sounds interesting to you, please see here for more info and to apply.
One place available for my online group mentoring this Friday!
Once a month I meet with a handful of artists who I mentor via group video call. We discuss their work from the last month and plan out some goals for the next.
I do paintovers using photoshop to give clear feedback about technical aspects of compositions and sketches, and help each artist clarify the direction they want to go.
It is a very kind and supportive group of artists, and we often touch on topics such as interesting and useful books, as well as the emotional ups and downs of the creative path.
I write out the plans we arrived at in our group chat for each person after the session so that everyone goes away from the session with clarity, and can refer back.
So the session is both practical as well as supportive.
We currently have one spot available, next session is at
8pm Thursday 15th August UTC
Use this link to calculate your local time:
https://www.timeanddate.com/worldclock/fixedtime.html?iso=20240815T2000
(I assess applicants to ensure they are a good fit for the group)
Don't make my biggest mistake...
Perhaps it is part of creativity that I have always doubted authority. I have always asked: what if the orthodoxy is mistaken in some way? what if my inexperienced vision could actually see something valuable even though it is new? For all the fear, doubt and hardship, perhaps the redeeming aspect of being an artist has been the joy of going my own way as I explored something I love.
Geometry of Thirst
Graphite on paper, 55 x 75cm 2020
The Abyss Stares Back
Oil on linen, 2022
And this has had its benefits. I’ve trusted my eye in terms of seeking teachers - the only qualification I have required is how well a person can do a thing (judged by my own perception not academic qualifications or status) and how well they can teach it to me. Even when it is hard, I've taken criticism seriously and looked into it. I’ve leaned into the discomfort of learning skills to correct my weaknesses as I became aware of them. I have sought to follow my authentic vision - to struggle towards connecting skills, ideas and imagery in ways that might not make sense to others until the thing is done and then they say: “oh now I get what you were doing!”.
HOWEVER, this same sense of independence has caused me to not ask for help in a broader sense: to not seek a guide or support to help keep me on track while I fumbled in the darkness of my path. It is very challenging to try to balance the training, the visual ideas, and the unrelenting practicalities of living the artist’s life.
I often feel like a spider who has shot threads in multiple directions and is now trying to reel them in and weave them into a workable web (while my hands are full and I end up tucking additional threads under each of my 8 armpits and putting the rest between my teeth!). I have felt overwhelmed, lonely and like giving up more times than I can say. But unlike spiders, humans are not built to work entirely in isolation.
Sand-ripple Reef
Oil on linen, 120x120cm 2023
Falling Upwards
Graphite on paper, 75 x 55cm,
As social animals, human thought can be clarified by discussion, by constructive debate and the attempt to articulate complexity to share it with another. I now wish that I had put more effort into cultivating a group or finding a mentor to help me to do several things:
Set goals and priorities within my overarching aim, and stay on track going foward
Gain insight from perspectives that are different from my own, allowing me to benefit from their differing experience and skillsets
Sustain my confidence when I am overwhelmed and disheartened
Feel less lonely on this difficult road
Models for support groups/mentors
There are different models for this that perhaps suit individuals based on personality. Here are some key options:
A group of peers:
Psyche
Graphite on paper, 75 x 55cm 2020
Early 20th century business coach Napoleon Hill said, “No mind is complete by itself. It needs contact and association with other minds to grow and expand". He advocated carefully selecting a group of peers who can reflect together and help each other to pursue their goals. Make sure that the people you select have goals that are sympathetic to your own even if quite different to your own. For example, a dancer and a figurative painter could benefit from each other’s respective disciplines, particularly if they share a similar spirit. Also make sure that your peers are not toxic in some way - the people you have around you should expand your feeling of clarity, imagination and possibility rather than closing it down, and having you feel defensive, cautious or overwhelmed. Watch out for these feelings as they are alarm bells.
Sketches and process images for The Abyss Stares Back 2022
An experienced mentor:
A master in your field can help you cut through the noise to the essentials that really matter, to the skills you need to drill in order to move forward. They can efficiently help you solve the challenges they have already faced. However, a master can also be biased towards their own conclusions so you need to make sure you are being assisted rather than indoctrinated. Select a master of the craft who can see beyond their own artistic direction to the larger context in which their own work sits, the larger context into which yours can ultimately sit.
Thrown-ness
Graphite on paper, 75 x 55cm, 2020
A wise person external to your field:
Wisdom is perhaps distinguished from intelligence by its focus on clarifying values rather than merely achieving goals. I think that a wise counsellor who cares about you can aid you simply by asking the right questions to drill into what you really want to achieve. Be careful that this person is not biased by their own fears and habits, that they are able to see things from your perspective rather than projecting their own values (eg security or status above artistic integrity). While they should challenge you, this should be with the intention of empowering you not making themselves feel superior.
Whichever way you go, a support group or guide will ideally leave you feeling clarity towards the next step, and feeling at least a little bit more optimistic and energised. At the very least you should feel like this person/group is on your side even if they don't fully understand your vision. If you don't feel this, I suggest you look elsewhere, or change the structure of the process - perhaps setting timing and conversation topics more deliberately.
Options for mentoring with me:
If you resonate with the spirit of what I am saying above, there are a few ways to access mentoring with me that can suit a range of budgets:
In person classes:
Process for Threads
Oil on linen, 60x60cm, 2022
If you are in Brisbane, my next "Fundamentals of Figurative Composition" starts on the 5th of October. This is a great way to explore some of the possibilities for representational art to see what might suit you the best. From an emphasis on storytelling to psychology and surrealism to insightful observation to the creative use of medium. We go into the aspects of line, tone and colour design that give you the biggest bang for your buck, as well as practical techniques for modelling an imaginary scene and developing ideas from imagination, as well as working from the life model.
The aim is to expose you to a broad context, drill into the essentials and help you get a plan for your own artistic development going forward.
The Colour of Falling
Oil on linen, 60x60cm, 2021
A cost effective way to have both the guidance of someone with experience in the field plus the support of a group of peers is with a Mastrius group. This is an online zoom call based platform with lots of benefits.
In my own small group on Mastrius, we look at each person's work from the month, help them set the next set of goals and I give suggestions via paint overs in photoshop or demos. Currently I am working through colour theory supported by the extensive notes and diagrams I made here.
The next session is this week: Thursday 13th at 3pm MT which is equivalent to Friday 14th at 7am AEST (Brisbane time).
Life Drawing (Jaelith)
Pastel on paper, 29 x 21cm, 2022
Introducing individual mentoring
You can book a zoom mentor call with me individually, which costs $50USD per hour or $200USD for a pack of 5 hours.
I can mentor you in a way similar to the group mentoring above - clarifying your direction, doing paint overs and assisting you to solve your creative challenges.
Alternatively, I am able to guide you through my online figure drawing course, or my fundamentals of figurative composition course
Really we can just look at your aims, your availability and budget and I can work around that. To get started, contact me here, give me an idea of what you are looking for and I’ll see if this process is a good fit to assist you.
Website Overhaul: how to access the new pages and content!
The Form, Gesture, Anatomy Course has been recently overhauled with new diagrams and improved content. More to come soon, in particular a deep dive in the building blocks of the pose and its expressive potential! Watch this space!
Renovations!
I have been overhauling and adding to much the teaching content of my website, so hopefully you find things cleaner and simpler to access and understand.
I have also had to move to a new paywall system, which means that if you have not already done so, you will need to join the new system to access both paid and free content.
Access your paid content
If you are a paid member of The Form, Gesture Anatomy Course, you should have by now received an email with how to migrate to the new system for free. If this has somehow not found its way to you, please contact me!
Free Content
Free members can access the new free content page that consolidates the free content to one place, including the work in progress “A Guide to Figurative Composition” and “The Elements of Classical Figure Drawing” and much more!
This summary of the life drawing component of the Form, Gesture, Anatomy Course is a useful point of contact if you’re focussed on the drawing side of the course.
The Simplified Écorché Kit
The kit is in stock, available with or without the plasticine clay (to save cost if you prefer to source locally)
A set of 10 modelling tools suitable for clay and polymer clay is now included with the Kit
The Simplified Écorché Kit skeleton armature is designed to work with the Form, Gesture, Anatomy Kit
Want both the FGA Course and the Kit?
GET $20 OFF the cost of the The Simplified Écorché Kit skeleton armature by purchasing the FGA Course first!
1.Sign up to the FGA Course below - choose “One Time Payment” or “Payment Plan” to access discount
2.Click on “Your Account” in the main menu at the top of the page
3.Click on “Simplified Ecorche kit discounted for FGA members” to mail order the kit
(note if you have already purchased the kit, and wish to purchase access to the online FGA Course notes, just contact me with the details you used during purchase and I’ll forward you a discount code for an equivalent amount)
Watch a quick video about the way the Kit and Course are designed to work together, and how this is designed to support the figure drawing compenent.
In-person FGA Course
For those in Brisbane, Australia, the next in-person Form, Gesture, Anatomy Course will begin on the 9th of March 2024. Learn more and enrol here.
If you already own the course notes and/or the kit, please contact me and I’ll give you a 10% discount on the in-person course (since the notes and kit are included in the course)
Be guided through the Form, Gesture Anatomy Course in-person in the classroom. Demos, hands on learning, and plenty of support and feedback. Accelerate your learning!
“The Geometry of Thirst” Graphite on paper
from the show “The Shape of the Sky” 2020
Happy drawing!
Last chance for 10% off FGA figure drawing course!
Do you want to fast track your skill with drawing the figure?
Working with Simplified Écorché Kit skeleton armature model allows a fun, hands on, 3D approach to learning.
Last chance to get 10% off: Early Bird Special finishes on the 4th December!
My in-person Form, Gesture, Anatomy Course starts March 9th 2024
Enrol here.
Scholarships and secondary/tertiary discounts available
Learning anatomy from 2D books only can be confusing…
Find out more about the origin of this course here
How I developed the process and sequence of learning activities.
Multiple senses are involved in the process of building the anatomy with my unique and efficient process, available as an in-person course in Brisbane or online
If you’re not in Brisbane, you can get the kit here, and do the course at www.formgestureanatomy.com
How the course works
Each of the images above represents one of the lessons.
I have a novel, carefully crafted series of learning exercises for working from the life model to help you apply your anatomy knowledge to drawing the figure. Find out more about the curriculum here.
Sale on the Simplified Écorché Kit for November
The Simplified Écorché Kit is 15% off until the end of November.
Get it here
Doing an écorché is by far the most efficient and fun way to come to terms with the complexities of human anatomy, and this course takes that further by offering a simplification that focusses on the essential points and forms relevant to the artist.
It uses embedded 3D models in the course notes, colour coded plasticine, and a high quality 3D printed skeleton armature to help you accelerate your learning. Check out the course notes here.
The course notes also include a series of lessons relating the anatomy content to the actual challenge of drawing the figure.
For those in Brisbane I will be delivering this course in its entirety in person using the Simplified Écorché Kit process alternating with integrated life drawing sessions.
Details and enrol here.
(Early bird special of 10% off until the 4th of December).
Scholarships available!
Opening this Friday: Shifting Sands, a collection of landscape paintings
My new show is opening this Friday 6th October 2023 at Lethbridge Gallery!
For those of you in SE Queensland tickets to the opening event here:
https://www.eventbrite.com.au/e/scott-breton-opening-night-tickets-717574413387?aff=oddtdtcreator
Watch the video about the inspiration for the show: Carlo Sandblow near Rainbow Beach, in Queensland Australia. A beautifully made video showing how epic this place is, and a little of the process and meaning.
This video is a short interview about the show, watch it here:
There will be an artist talk at Lethbridge Gallery on Friday 5th October from 6 -7:30pm
Get your ticket here:
https://www.eventbrite.com.au/e/scott-breton-artist-talk-tickets-717563932037?aff=oddtdtcreator
See the collection here
Shifting Sands will be on display until the 17th October 2023
Lethbridge Gallery is open every day excepts Sundays and Mondays
Contact them via their website or purchase here
Tuition with Scott
www.scottbreton.art/tuition
New landscape show: Shifting Sands
For those in Brisbane, save the date!
Opens 6th October 5:30pm Lethbridge Gallery, Paddington, Brisbane
Artist talk Thursday 5th October 6 - 7:30pm
Lethbridge Gallery presents
Shifting Sands by Scott Breton
In conversation with gallery owner Brett Lethbridge, Scott will discuss his landscape practise and the creation process behind his new series of Rainbow Beach paintings.
Topics will include:
The beauty of painting en plein air
Altering perspectives to create greater movement and space
Moving from a figurative to a landscape based practise
Using colour and texture to heighten our sense of place and atmosphere
Scott's philosophy on art and creation.
Drinks and nibbles provided.
Please note, parking on Latrobe Terrace can be tricky. We recommend parking in the Paddington Central carpark just 300m down the road from the gallery.
10% off composition course ends 4th July, new stock of simplified ecorche kit
For those of you in Brisbane, the 10% off early bird special for my Figurative Composition course finishes this Tuesday 4th of July, for full details and to enrol go here:
5 Saturdays, starts 14th October 2023
I have a new stock of the Simplified Ecorche Kit!
It’s the enjoyable and effective way to understand the forms of the human body, use in conjunction with the extensive 3D models and instructions in the Form, Gesture, Anatomy Course.
Click here to find out more and order online - shipping worldwide.
Free Composition Guide updates, New In-Person Composition course in Brisbane, I'm Judging Brisbane Rotary Art Show 2023
I’ve updated some new diagrams and info in my free access (for now) Guide to Composition page. This is content I’ve been enjoying sharing this with my Mastrius Mentorship Group (places still available) and helping them work through the activities in the online sessions. This allows clarification and constructive critiques.
Access the new notes and illustrations for free here.
(If you’re not already a free or paid member, you’ll just need to make a free account)
New In-person Composition Course Starts in October!
Following on from my experiences with mentoring composition for Mastrius.com and compiling my notes and diagrams into the guide mentioned above, I've decided to offer an in-person short course on figurative composition. Over 5 Saturdays we will explore traditional design principles as they relate to line, tone and colour, as well as important visual phenomena such as light, atmosphere, space and even a sense of implied time. We'll look at the some of the techniques I've found most useful for arranging and executing figurative compositions, both physical and digital. We'll then work from the life model to apply these concepts and skills to making a figurative composition, in several different distinct modes: Narrative (traditional storytelling, often mythological or symbolic), Associative (think Surreal or dreamscape), Observational (visual subjects, often quite ordinary, are made magical through an intense quality of observation and annotation), and Material Expressionist (The use of physical material or their distress is central to the meaning generated). These categories are not exclusive but offer “central organising principle” around which other decisions can be made.
By the end of the course you will have experienced applying a range of approaches and skills that should help to clarify what you find most natural and fruitful for you, at least at this point in your life.
There is 10% off with an Early Bird discount until the 24th June 2023.
I have been asked to judge Brisbane Rotary Art Show 2023 (entries close 27th May 2023)
I will be judging the Oil Painting and Acrylic Painting. I thought I would share here my approach to judging competitions such as this here since it relates to the issues mentioned in above in designing compositions.
Basically I try to minimise my personal bias, or at least be transparent about what I am basing my assessment on, by referring as much as possible to concrete standards:
The traditional design values of how harmony and contrast apply to the categories of linear, tonal and colour arrangement, to create both unity and selective focus within a picture.
Visual effects, as described above: how convincingly a sense of light, atmosphere and space, and the sense of implicit storytelling (where these factors are relevant) have been applied.
How the physical media has been handled and whether there is coherence in the brushwork and mark making, a suggestion of creative process - whether painterly or more delicately rendered.
I consider the breaking of cliché through novel metaphor/ approach a positive quality - though I consider novelty itself only a positive where it manages to generate meaning for the audience.
Finally, all these factors are only relevant in so far as they speak poetically or meaningfully, and so this sense of coherence is my final standard for assessing the success of a composition - does this work speak to some aspect of the human condition, some aspect we all share as humans, as different as we are.
While it is impossible to remove my biases in this process, you can see how these type of standards provides a sense of transparency that is connected to the conservation of a certain tradition in the visual arts, that I believe still have their place today, even as the world changes in many ways.
Awards and Judges
I’ll be judging the Oil and Acrylic sections, while the wonderfully creative photographer Beth Mitchell will judge Photography and Mixed media/ Drawing sections, and Lara Cresser, a law academic and professional experienced in art competitions will be judging the final categories of Water Colour and 3D. We will jointly judge the overall winner, which offers a $10,000 prize.
So if this way of thinking resonates with you, you might like to apply for this competition or visit their social media pages
Info for Artists from the website
My new guide to composition - free access for now
If you have ever set about composing a painting or sculpture, you might know how overwhelming the range of possibilities can be. Media, processes, subjects and design options seem nearly endless… Or on the other side, you get stuck in a rutt, not knowing what avenues to explore to vary your work more.
Over time, I have worked out some practical frameworks and models for cutting through the noise, overwhelm, and blocks. I have begun compiling my diagrams and notes into a sequence - a guide to composing. These are the things that I use myself, the ways that I think about pictorial composition and how to move from idea to execution of an original artwork.
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For now this material will remain free to access here but over time will probably be compiled into a book.
It is at an early stage at this point but I think you will find some novel thinking as well as clarifications of tried and true ideas.
I am including here a few of the diagrams from this project which I use when teaching workshops, as well as some newly developed for my Mastrius Mentoring sessions, where I am guiding the group through a series of compositional activities. You can still join this Mastrius group and get direct feedback as well as learn from and with other likeminded peers, join at: https://www.mastrius.com/scott-breton-mentorship/
Access my Guide to Composition here, free for now, covering the most important principles and processes I know of for the enjoyable process of visual experimentation as you weave together the threads of a satisfying composition. I will be continuing to add to this guide over time and will post here when I add new content to the page.
I also touch on some important issues around meaning making, the relationship between the discipline of life drawing and the composing of images, where the skills utlised in one arena can feedback on the other.
For more context go to www.scottbreton.art/compose
For more context go to www.scottbreton.art/compose
For more context go to www.scottbreton.art/compose
Scholarships to my course close on Friday 17th, and an update on my online mentoring for Mastrius
Scholarships to the FGA course
Are you a full-time student, secondary or tertiary? You can apply for one of 2 scholarships to my in-person figure drawing and artistic anatomy course that is coming up. This is on top of the 25% discount for full time students already provided. Full details at: https://scottbreton.square.site/product/FormGestureAnatomycourseinperson/8
Options for doing the FGA course
There are still several places available in this course held over 10 Saturdays. There is a range of options to suit your interests, availability and budget:
Full details and enrol at: https://scottbreton.square.site/product/FormGestureAnatomycourseinperson/8
Visit the calendar to view the content for each session starting on the 4th March, and choose which option suits you best.
Monthly mentoring on Mastrius.com
An example of the type of content I am focussed on in this Mastrius mentor group - ranging from working with sketches to explore and design the picture up to working methods for executing the final full size work on canvas.
Mentoring on Mastrius.com began last week, and I was very happy with how the session went and the quality of the group participants - it is a very talented, motivated and kind group.
These monthly sessions centre around the composing of pictures, looking at both working methods and technique as well as compositional design. I also give homework and offer feedback on homework and/or your work.
The platform is very good to use, and provides access to recordings from sessions, a group chat, group library, and also other videos/sessions.
Find out more about my mentoring group and join up here: at: https://www.mastrius.com/scott-breton-mentorship/
(you can still access the recording of the first session there.)
Flexible new options for the In-person Form, Gesture, Anatomy Course
For those of you in Brisbane, who wish to attend my course but can’t fit in the 10 full Saturdays to do the whole thing, I have created the following options:
Watch the video on Instagram here
https://www.instagram.com/reel/Cn8zcgTP3Y3/?utm_source=ig_web_copy_link
For those not in Brisbane…
High quality 3D printed model that you add colour coded plasticine to in order to learn the essential artistic anatomy
If you’re not in Brisbane, you can order the The Simplified Écorché Kit here (https://scottbreton.art/early-release-skeleton-kit) ($99 USD including shipping worldwide, plasticine available separately or source locally to you)
Hundreds of pages of content, hundreds of diagrams, embedded 3d models, diagrams and illustrations - supports the The Simplified Écorché Kit by providing 3D models for each layer of the anatomy
Get access to the Form, Gesture Anatomy Online Book here:
https://scottbreton.art/fga-buy-options ($7USD per month (cancel any time) or $40USD one time perpetual)
For those in Brisbane, untutored long pose drawing session starts soon! (Salisbury)
Years ago I was one of the founding members of Atelier Art Classes on the south side of Brisbane. Its great to see that though I went on to other projects some time ago, the same art space has endured over a decade since founding. It continues to providing artist studios, classes, and a place to share working from the model together.
I have fond memories of doing a lot of drawing and painting studies here.
My friend Amber now runs it, and I encourage you to take a visit and do some drawing or painting at the next 4 saturdays long pose.
Here’s the information from her:
“We are re-starting the Saturday Long Pose on the 4th February 2023!
Expressions of Interest - Limited places (only 12). Please contact via hello@chromestreetstudios.com and further information will be sent, including details for payment.
Priority will be given to people who commit to a 4 week block and secure their place ahead of time.
Details
Long Pose over 4 consecutive weeks (4th, 11th, 18th, 25thFebruary)
1.30 - 4.30pm on Saturdays
$120 prepaid for the 4 week block and priority placement
Only 12 pre-paid priority places available
$40 for casual session attendance slotting in amongst the regular attendees
Curated setting with a nude model
Opportunities exist for regular attendees to curate future sessions and direct poses
Untutored
Tea and Coffee provided in the break
I'm really excited to be bringing this back and look forward to having you in the studio!
Chrome Street Studios
2b, 9 Chrome Street, Salisbury
Warm regards, Amber”
It’s a luxury to be able to work from the model for such a sustained session, so if you’re in Brisbane I encourage you to try it out!
If you need somewhere to get started in your drawing or are not in Brisbane, a free overview of the ten session life course I teach is available at www.scottbreton.art/lifeclassfree
Don’t forget my anatomy kit is available for mail order here: